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We use radical hospitality to produce new plays that highlight our region.

Next Up:

Am I Dangerous?

by e.k. doolin

directed by Tress Kurzym

All of her life, sixteen-year-old Philoten has been told about dangerous women. Those who flaunt their bodies. Those who are different. Those who do not follow the rules. And she’s tried, so hard, not to be dangerous. But then, something really awful happens. A few things, actually, but one of them is unforgivable and forces her to ask the question of herself, Am I Dangerous?

Am I Dangerous? springboards off ancient questing stories like Shakespeare’s Pericles, creating a brand-new fem-tagonist origin story with themes surrounding autonomy for the femme body and cultivating respect for the local environmental landscape.


Philoten, she/her, 16 (casting age 18-25)

Marina, she/her, 16 (casting age 18-25)

Lychorida, she/her, 26 (casting age 25-35)

Dionyza, she/her, 30 (casting age 30-40)

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Our Story with the red spotlight and pencils that look like trees

Jacob Juntunen founded Contraband Theatre in 2016 to produce his script Hath Taken Away outside of 501c3 legalities in order to center creators rather than bureaucracy. For that inaugural production, Jacob found an abandoned church on a hill in the cornfields of Illinois and filled it with theatrical lights. When spectators drove up, the church glowed in the darkness. There was a single row of seating in a rectangle with room for thirty spectators around the small playing space. It was exactly what Jacob meant: no asking permission, just art.


Today, Contraband Theatre produces new plays in St. Louis and fosters a community-based, flyover-focused, and human-centric model of theatre in an intimate and welcoming setting. We invite panels of experts who connect our plays’ themes to the community, and we love to provide free food. We employ diverse artists in accessible locations and promote radical hospitality by making every ticket pay-what-you wish, $0-$30. We exclusively produce new, regional work.



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Okay, so, twenty years from now during a future pandemic, Kathryn returns to her childhood home to take care of her aging parents. But her dad just wants to eat sandwiches and play puppets. Her mom is pissed that the smart city locked them in the house. Kathryn’s boss wants her working in person at their off-Broadway theatre as Education Director for a century-old snoozefest play. Kathryn doesn’t want to explode her carefully built theatre career, but she’s got to take care of her parents, doesn’t she? After all, they took care of her during the last pandemic. And this whole mess isn’t bringing up any unresolved feelings, is it? Nothing worth mourning anyway. Right?

Ellie Schwetye, Director

Spencer Lawton, Assistant Director

Jacob Juntunen, Playwright

Ricki Franklin as Kathryn

Joseph Garner as Joseph

Kelly Howe as Deb

 Joshua Mayfield as Kris

Caleb D. Long, Set Designer

Carly Uding, Costume Designer

Morgan Brennan, Lighting

Ellie Schwetye, Sound Designer

e.k. doolin, Dramaturg & Producer

Spencer Lawton, Stage Manager

Ely German, Marketing Art Director

Semi-finalist for the Bay Area Playwrights Festival


The script has had readings with Tantrum East Theatre and Southern Illinois University

After the president's contested re-election, Emma has to leave her home in St. Louis in a desperate bid to escape the USA.

Cast (in speaking order)

EMMA: E.K. Doolin

ANNE: Stephanie Stroud

JENN: Deanna Lee

LIZ: Jennifer Remke

JOHN: Minoru Jackson

ALEX: Peter Moore

18 Months After November began in October 2020 as a short play that Jacob Juntunen wrote for an evening of streaming pieces with his students at Southern Illinois University, Carbondale, where he heads the MFA Playwriting program.


The short play was met with such enthusiasm that Jacob continued the story, imagining what could happen to the USA after a highly contested election. He finished the first draft of the play in October, cast it during the long counting of the presidential election ballots in early November, and filmed it shortly after the election was called for Biden on November 7th.


Even so, the ultimate twists and turns the play takes make it eerily relevant today. It won a Pet Projects Grant from Jeremy O. Harris to produce.

Dorothea is a young, Midwestern Evangelical whose faith and steadfast love for her best friend, Lucy, and new husband, John, are put to the test by her child-to-be. Faced with medical complications that leave Dorothea and her pregnancy at risk, these three characters must make decisions that rupture the boundaries between their religious beliefs and complicated feelings for one another.​

Greg Aldrich, Director

Jacob Juntunen, Playwright

Kristin Doty as Dorothea

Abigail Warhus as Lucy

Mike Terrana as John

MK Hughes, Set Designer

Da'Veon Burtin, Costume Designer

Brooke Oehme, Dramaturg

Patrick Burke, Stage Manager

Rita Medina, Marketing DIrector

Semi-finalist for the Eugene O’Neill National Playwrights Conference; finalist for the Activate Midwest Theatre Conference, for the March Forth Productions Summer Series, and for production at the Source Theatre Festival.


The script has had readings at The Last Frontier Theatre Conference,

 Will Geer’s Theatricum Botanicum, and Chicago Dramatists.

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